|
| |
Career as Actress

Anna Cora Mowatt as Rosalind in Shakespeare's As
You Like It |
|
Following the success of her play Fashion, Anna Cora Mowatt, in a
complete reversal of her earlier distaste for the stage, appeared for the first time as an
actress at the Park Theatre, June 13, 1845. Her debut role was Pauline in the popular
melodrama Lady of Lyons. For the next eight years, she became one of the foremost
popular and critically acclaimed American actresses. She specialized in ingenue roles from
Shakespeare, popular melodramas, and her own plays Fashion and Armand.
Poe described her onstage appearance: |
The great charm of her manner is its naturalness.
She looks, speaks, and moves, with a well-controlled impulsiveness, as different as can be
conceived from the customary rant and cant, the hack conventionality of the stage. Her
voice is rich and voluminous, and although by no means powerful, is so well managed as to
seem so. Her utterance is singularly distinct, its sole blemish being the occasional
Anglicism of accent, adopted probably from her instructor, Mr. Crisp. Her reading could
scarcely be improved. Her action is distinguished by an ease and self-possession which
would do credit to a veteran. Her step is the perfection of grace. Often have I watched
her for hours with the closest scrutiny, yet never for an instant did I observe her in an
attitude of the least awkwardness or even constraint, while many of her seemingly
impulsive gestures spoke in loud terms of the woman of genius, of the poet imbued with the
profoundest sentiment of the beautiful in motion.
Actor
E.L. Davenport joined Mowatt as acting partner in September of 1846. Mowatt wrote her
second play, Armand, the Child of the People, with his and her capabilities in
mind. Armand is a romantic play set in the time of Louis XV. The King tries to
seduce Blanche, the daughter of the Duke of Richelieu. Armand, a soldier, falls in love
with Blanche and strives to help her escape the king. Armand's defiance of the King, while
hardly in keeping with the customs of the court of Louis XV, was quite in tone with the
sentiments of America in 1847.
| In 1847, Davenport and Mowatt sailed for London, where they achieved great popular
and critical success. However, her English career came to an abrupt halt when James Mowatt
died on February 15, 1851. She might have remained in England after her husband's death,
but following this tragedy, her London manager, who was in love with her, went bankrupt
and committed suicide. Depressed, dispirited, and ill with another recurrence of her
respiritory condition, Mowatt returned to America, July, 1851. |

Mowatt as Beatrice in Much Ado About
Nothing |
|
After
recovering, she resumed touring American theatres with productions of Fashion and
Shakespearean comedies. During this time, she was vigorously pursued and courted by
William Foushee Ritchie, son of Thomas Ritchie and editor of the Richmond Enquirer,
the official organ of the Democratic party in Virginia. In December of 1853, Mowatt
published her Autobiography of an Actress. On June 3, 1854, she made her last
appearance on the public stage.

Back to Index Page
|