SenSoRy OvErLoaD
Dennis Oppenheim truly has lost his mind- and he loves it. One had better learn to handle some sensory overload. In fact, one had better learn when to duck Yet once one does, a small retrospective gets one thinking freshly about concept and process in art. - John Haber |
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Last Dance, 1994.
Hard foam, nails, fiberglass, pigment, radios, record player, record,
cable, electrical cord, drum, motors, foot petal, spotlights, steel,
acrylic, trumpet, timers.
Dennis Oppenheim on art (1977): Well, one of the wonderful things about art is an intermediate point in which expression can kind of congeal and solidify and, quite often in a way, it solidifies on one hand, it transcends the sender. In other words, art can be greater than the artist. It can go higher than the individual who contained it. |
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| It ain't what you
make, it's what makes you do it.
Circle Puppets, 1994. |
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Parallel Stress,1970.
One of Oppenheim's best performances in Body Art. |
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| Engagement, 1997
Commissioned by The City of Leoben, Austria. Steel Pipe, grating, clear and colored glass, electric lights, concrete foundation. 30' High. |
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MeLinDa GonZaLeS. |