Digital Bibliography
Related Websites
"Regina
Jóse Galindo"
Regina Jóse Galindo. No Date Available.
Regina Jóse Galindo's homepage and quick look at what kind of performative
techniques are involved in her work. This website provides an overview of some
of the performances Galindo has performed over the art of memory in postwar
Guatemala.
http//www.karaandrade.com/guate.html
"Bomb
Magazine: Regina Jóse Galindo." Francisco Goldman.
2006. This website
is a great place to start to understand Galindo's work. Goldman does a fantastic
job of outlining some of her performances and with the interview Galindo
provides reasons her work as a performance artist shows significance within the
Guatemalan culture.
http://www.bombsite.com/galindo/galindo.html
"¿Quién puede olvidar las huellos?" Juan Carlos Escobeda. 26 de
Nobembre, 2006. Spanish version of an article which explains Regina
Jóse Galindo's Lion award winning performance "Quién puede olvidar las huellos."
This website provides photographs and videos of Galindo's performances, as well
as, a chronology of her personal and public performances.
http://www.literaturaguatemalteca.org/rjgalindo.htm
"Who can forget the tracks?"
Juan Carlos Escobeda. November 26, 2006. Same as above, except, it
is downloaded using Google translator for an English version. The article
explains Regina Jóse Galindo's Lion award winning performance "Who can forget
the tracks?" This website provides photographs and videos of Galindo's
performances, as well as, a chronology of her personal and public performances.
http://translate.google.com/translate?hl=en&sl=es&u=http://www.literaturaguatemalteca.org/rjgalindo.htm&sa=X&oi=translate&resnum=5&ct=result&prev=/search%3Fq%3DRegina%2BJóse%2BGalindo%26hl%3Den
"Regina Jóse Galindo" Mariana David.
March 2006. Brief descriptions about several performances are provided on
this site. This particular site concentrates on introducing Galindo for
potential viewers of an opening of Prometeo Gallery Lambardy in the Dominican
Republic.
http://www.artnexus.com/NewsDetail/16226
Print Resources
Arrizon, A. (2000). Conquest of Space: The construction of Chicana subjectivity in Performance Art. In, Arrizón and Manzor (ed.), Latina on Stage. Berkeley, CA: Third Woman Press.
Anzaldua, G. (1987). Borderlands/la frontera: The new Mestiza. San Francisco: Aunt Lute.
Daniel, E. V., (1996). Charred lullabies: Chapters in an anthropography of violence. Princeton: Princeton University Press.
Fay, B. (1996). Contemporary Philosophy of social science. Oxford, UK/Maiden, MA: Blackwell.
Galindo, Regina Jose, (2006). Regina Jose Galindo. Vanillaedizioni: Albissola Marina.
Goldman, RoseLee, (2001). Performance Art: From futurism to the present. New York: Thames & Hudson world of art.
Huerta, J. (1994). Looking for the magic: Chicanos in the mainstream. In Taylor, & Villegas, Negotiating Performance: Gender, sexuality, & theatricality in Latin/o America. Durham and London: Duke University Press.
Manchú, R. (1984). I, Rigoberta Manchú: An Indian Woman in Guatemala, ed. Elisabeth Burgos-Derbray. New York: Verso.
Marrero, M. T. (2000). Latina Playwrights, directors and entrepreneurs: An historical perspective. In, Arrizón and Manzor (ed.), Latina on Stage. Berkeley, CA: Third Woman Press.
Sanford, V. (2001). From I, Rigoberta to the commissioning of truth: Maya women and the reshaping of Guatemalan History. Cultural Critique, 47, 16-53.
Schirmer, J. (2003). Whose testimony? Whose truth? Where are the armed actors in the Stoll-Manchú controversy? Human Rights Quarterly, 25, 60-73.
Simon, R. I., & Giroux, H. (1989). Popular Culture, schooling, and everyday life. Gransby, MASS: Bergin and Garvey.
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