Dr.
Justin
Thomas Trudeau
PH.D.
Communication Studies,
Area of Emphasis:
Performance Studies
Dissertation Title: Jack
Kerouac’s Spontaneous Prose: A
(Michael Bowman, Dissertation Chair)
M.A.I.S.
Speech Communication,
Area of Emphasis: Rhetorical
Criticism
Thesis:
Theodore Dwight Weld’s Use of the Judicial Motif in American
(Robert Iltis, Advisor)
B.S.
Speech Communication,
Speech Communication
2006-
Assistant Professor—Department of Communication Studies, University of
North Texas,
2005-2006
Instructor—Department of Communication Studies,
1999-2005
Graduate Teaching Assistant—Department of Communication Studies,
2003-2004
Assistant to the Editor—Michael Bowman, Text and Performance
Quarterly
Department
of Communication Studies,
LA
1996-1998
Graduate Teaching Assistant—Department of Speech Communication,
Courses taught include:
Postwar Performance Culture and The U.S. American Avant-Garde,
Performance Art, Performance Theory, Introduction to Performing Literature,
Public Speaking, Argumentation, Speech Fundamentals, Interpersonal Communication
Mondo
Bizzaro Productions
Member, Board of Supervisors and Artistic Advisor.
A non-profit (501-c-3) organization
based in
Director, 2040 Introduction to Performing Literature Showcase
2001-2003.
Member, Department of Communication Studies Black Box
Theatre Advisory Board,
1999-2000, 2001-2002
Commissioner,
Martin Luther King Jr. Commission,
Trudeau, Justin T.
“Jack Kerouac’s Spontaneous America: A Performance Genealogy of
The Postwar Avant-Garde.” Kaleidoscope:
A Graduate Journal of Qualitative
Communication
Research 3
(Fall 2004): 43-62.
Invited Publication
Trudeau, Justin T. “’Transnational Flows of
Performance: Identity in the Age of Globalization’ at
Northwestern University.” Perforum:
A Newsletter of the Performance Studies
Division of the National Communication Association
10.2 (Fall 2004) 12-13.
2006
Southern States Communications Association Convention,
Panelist, “Specters of Performance: Bodies, Histories, Hauntology.”
Paper, “Specters in the Rear-View: Haunting Identity in Jack
Kerouac’s
On the Road.”
2006
Southern States Communication Association Convention,
Workshop Participant, “Documenting Creative Achievement in Promotion
Binders for
Performance Studies and Theatre Faculty.”
2006
Southern States Communication Association Convention,
Respondent, “Post-Katrina Performance: Witnessing, Recovery, and
Activism.”
2006
Southern States Communication Association Convention,
Moderator, “Readers Theatre in the 21st Century.”
Panelist, “Autoperformance: Images that Haunt, Identities that Won’t
Sit Still For a
Picture.” Paper:
“My Grandfather Was An Artist.”
Panelist, “To (Re)Present Past and Future: Fantasy, Chaos, and the
Specter of
Identity.” Paper:
“Specters in the Rear-View: Haunting Identity in Jack
Kerouac’s On the Road.”
Panelist, “Mondo Bizarro: From Performance Studies to Community Arts
Organization.”
Panelist, “Genealogies of Performance: (RE)Constructing the Past
IN/THROUGH
The Present.” Paper: “Jack Kerouac’s Spontaneous America: A Performance Genealogy of The Postwar Avant-Garde.”
2000 Southern States Communication Association
Convention,
Panelist, “Problems in Postmodern Performance, Praxis and Pedagogy.”
Paper:
“Defamiliarizing the Defamiliar: Pedagogy of Gestus in the
Classroom.”
Lectures
2003 Departmental Colloquium,
Invited Lecturer, “Performing Spontaneity: Kerouac on Narrative
Being”
Fellow. The
Center for Global Culture and Communication, Summer Institute 2004.
“Transnational Flows of Performance: Identity in the Age of
Globalization.”
Northwestern University,
DIRECTING and PERFORMANCE EXPERIENCE
Direction and Original Adaptations
“1,2,3…” By Justin Trudeau. Directed and performed by Justin Trudeau. “Across Disciplines:
Performance Research and Response”.
Performance Studies Black Box,
University, 2002.
and Justin Trudeau.
Performance Studies Black Box,
Wendell Phillips.
Adapted, directed and performed by Justin Trudeau.
“Across
Disciplines: Performance Research and Response”.
Performance Studies Black Box,
Performer,
ensemble cast. “Body Maps.”
Adapted and Directed by Tim Miller. Mary
Frances
Performer,
role of King and Professor. The
Little Prince. By Antoine de
Saint-Exupéry.
Adapted and Directed by Mondo Bizzaro Productions.
Performer,
role of Tomas. The Unbearable
Lightness of Being. By
Directed by Tracy Stephenson.
Performance Studies Black Box,
University, 2003.
Performer,
role of Starbuck. Moby Dick.
By Herman Melville. Adapted
and Directed by Ruth
Laurion Bowman. Performance
Studies Black Box,
Performer,
role of Eggbert Craddock Cummings, Narrator.
“Contagion, or the Sad Story of a
Performance Critic.”
By Craig Gingrich-Philbrook and Michael Bowman.
Based on a
story by H.G. Wells.
Directed by Michael Bowman. Performance
Studies Black Box,
Performer,
ensemble cast. “Picture This:
Renderings of ‘On the Deck’ by Donald Barthelme.
Adapted and Directed by Ruth Laurion Bowman.
Performance Studies Black Box,
PROFESSIONAL
MEMBERSHIPS
National
Communication Association (NCA)
Southern States Communication Association (SSCA)